Joe My Name Is Joe Rare
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My Name Is Joe | |
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dvd cover | |
Directed by | Ken Loach |
Produced by | Ulrich Felsberg Rebecca O'Brien |
Written by | Paul Laverty |
Starring | |
Music by | George Fenton |
Cinematography | Barry Ackroyd |
Edited by | Jonathan Morris |
Distributed by | Channel Four Films Artisan Entertainment(US) |
20 November 1998 | |
Running time | 105 minutes |
Country | United Kingdom |
Language | English, Scots |
My Name Is Joe is a 1998 film directed by Ken Loach. The film stars Peter Mullan as Joe Kavanagh, an unemployed recovering alcoholic in Glasgow, Scotland who meets and falls in love with a health visitor, played by Louise Goodall. David McKay plays his troubled friend Liam. The film's title is a reference to the ritualised greeting performed in Alcoholics Anonymous meetings, as portrayed in the film's opening scene. Adobe photoshop cs10 free download full version.
The movie was mainly filmed in the council estates of Glasgow and filling small roles with local residents, many of whom had drug and criminal pasts. The Glaswegian Scots dialect of some of the actors are unintelligible to many of the American audience and therefore the film is often shown subtitled there. (Ken Loach has a policy that actors should speak in their natural dialect on film, and his early film Kes faced a similar problem with the South Yorkshire dialect that restricted its distribution even within England).[1]
Joe My Name Is Joe Rare Lyrics
The film won awards in many film festivals, including Best Actor for Mullan at the 1998 Cannes Film Festival.[2]
Plot[edit]
The film begins with Joe Kavanagh at an Alcoholics Anonymous meeting, relaying an experience from his past. He states the ritualised greeting: 'My name is Joe and I'm an alcoholic.' He feels that he is not in a position to drink any more with safety. He tells the group that he copes by praying and states that he is grateful to be at the meeting.
He then goes round to his friend's place, bangs on the door and pretends to be the police. They then travel in Joe's van where they examine stolen sporting merchandise which is of low quality. Joe and his friends stop at another person's house to pick up more people. A car cuts off the van. Joe later encounters the driver, whom Joe later describes as being 'the woman who tried to kill us all.' He exits his van and asks the woman if she lost her guide dog. The woman, Sarah, states that she is a health visitor. She wants to see Liam and his child, but Joe explains that Liam has an important football game to attend.
Joe is very encouraging as a coach. The other team appears in white and black, which are the colours that Joe's team wears. Joe's team express their anger at this and respond by taking their shirts off so that they are able to distinguish between players. The other team scores the first goal of the game.
Joe drives Liam home and Liam abruptly tells Joe to pull over and Liam runs up to a male who acts aggressively towards him. Joe does not hear what transpires between Liam and the man. Later, Joe sees Sarah, who is seen struggling with wallpaper in her car. Joe appears to fancy her, as Sarah tells him her name and he flirts with her.
Joe then helps an acquaintance of Sarah's to complete a wall papering and paint job in Sarah's flat. Sarah later brings them tea as they paint the ceiling and sing to themselves. They then look outside and notice someone taking photos of them through the window. Joe runs outside with his can of white paint and brush to confront the man who was taking the photos. The photographer tells Joe that he was just doing his job and that he has a bad heart. Joe then paints all over the photographer's car. The car speeds away and manages to knock over a pile of rubbish by the side of the road.
Later, Sarah and Joe have dinner together. There is a bottle of red wine on the table, but Joe does not drink any of the alcohol. Sarah's telephone rings and she leaves the kitchen to answer it. Joe is then left alone with the wine. He clears his plate and appears somewhat nervous. When Sarah finishes with her telephone conversation, Joe asks her about the photographs on her wall. Joe later reveals to Sarah that he does not drink, to which Sarah replies: 'Why didn't you say?' Joe reveals that he is an alcoholic and he has not had a drink in ten months. Joe is happy that Sarah knows and that she has been direct in her responses to him. Joe thanks Sarah for her company. Sarah pays Joe for the work that he completed on her flat and they part company.
Joe attends the Mayfield Health Centre. Joe tells the receptionist that he would like to see Sarah. The receptionist does not appear to be surprised by his request and says that Joe is free to pop his head around the door. He sees Sarah advising parents on dealing with the changing of nappies. Outside the Health Centre, Joe asks Sarah if she would like to go ten-pin bowling with him and to ring him if she fancies going. They then part company. Sarah speaks with a female colleague, Maggie, and says that Joe seems a bit wild. She states that she is not going to go bowling with Joe.
Sarah and Joe bowl together and laugh at their many errors. They occupy Aisle 16 and neither of them are spectacular players. They go back to Sarah's place where she asks him in for a cup of tea. Joe politely says no. Sarah offers him money for a taxi. A friendly argument ensues, at the end of which Sarah finds herself locked out of her flat. Sarah says that she can sleep in her car. Joe states that Sarah can sleep at his place, but not necessarily together.
They arrive at Joe's and he shows her around his flat. Joe tells Sarah that he used to be in a band and they won a local talent contest. Joe tells Sarah a story of how he was desperate for a drink one day and what transpired. He went to a music shop and stole some cassettes. He took one of them home and 'got pissed.' He describes the experience as being 'magical.' When Sarah asks him what made him stop drinking, Joe asks her why she wants to know. He is not hostile, but curious. Joe says that he is scared to tell her and that there is a strong chance that she will hate him if he tells.
Joe explains that there was a girl he used to drink with and they loved one another. They were both 'just tangled up' and they used to get into terrible arguments and tear one another apart. The audience then sees a flashback where Joe and the girl are returning home from a night out. He states that 'a cloud just descended.. really, really dark. And suddenly I hated her. I hated me.' He describes how he tried to open the door, but was unable to; when the partner whom he was with laughed at him, Joe lost control because she found it funny. He beat her by punching and kicking her, while she lay helpless on the ground. He screamed abuse at her. The next day, he had a blackout. Now, he remembers every punch and kick. He states how ashamed and disgusted he is with himself. He is obviously contrite and he has not yet forgiven himself for his actions.
Joe sees three men beating up Liam at a football match. Joe attempts to intervene. He helps Liam up and asks him if he is still clean. Liam states that he is. Liam confronts his wife when she comes home. He suspects that she has been using and asks her if she 'takes him for a prick.' Liam then yells that he will leave her to rot, grabs her by her neck and forces her to look at herself in the mirror.
Joe goes to Liam's flat and encounters Liam's wife shooting up in the bathroom. An argument erupts between them. Joe offers to help her. She does not want the kind of help that Joe offers. Joe then reluctantly assists her to tie off one of her veins so that she can shoot up. Joe tries to make sense of her incoherent mumbles as she lies prostrate in the bathtub. Joe then goes to a snooker club where he asks after Liam's whereabouts. Joe tells one of the men that he encounters that Liam has a four-year-old boy in an attempt to mitigate matters. Liam says that he does not want them to take liberties. He comes across Liam and is cross because Liam told him that he had stopped dealing. A tearful Liam confesses that he still owes money. Joe also tells Liam that he suspects that his wife is selling her body, and soul, for monetary gains. He is worried that people are going to break his legs.
The next day, Joe goes to Stella Maris' B & B to deal with the matter of Liam. In a later scene, Joe gives Sarah a pair of earrings, as well as a ring. Joe tells Sarah that he loves her. Sarah tells him that she does not want it and Joe cannot understand what he has done wrong. Joe is confused as to why Sarah has behaved in this fashion. In the next shot, we see a copy of the Alcoholics Anonymous' small blue Bible as Joe listens to Beethoven's Violin Concerto in D Major and makes notes in a book. When Sarah arrives at his door, she apologises. They drink tea together and later embrace.
Joe drives his van and his mates direct him to a place where they rob another van. Joe is shocked with his unwitting role in the robbery of Astral Sports. He still acts as the get-away driver. At the next football match, Joe cleverly remarks that the other team look like budgies because of their blue and yellow striped uniforms. Meanwhile, Sarah reveals to her co-worker Maggie that she is pregnant. Maggie congratulates her.
At Sarah's flat, she expresses her reservations about Joe's dealings with Liam. Joe tells her that there are some things that she does not need to know. Sarah accuses Joe of being a drug dealer and asks where he got the money for her earrings and ring. Joe replies that the gang gave him some money. Sarah becomes enraged and asks, 'Are you going to hit me too, Joe?'
My Name Is Joe Country Song
Joe attends Liam's flat and states that Liam must deal with things himself. Joe returns to his flat with bottles of Smirnoff Vodka. He pours himself a drink, and takes a sip. Liam then goes to Joe's flat, where Joe is very inebriated. Joe calls Liam a 'stupid wee prick.' The alcohol has overtaken Joe and he is hostile to Liam, who needs his help. As Liam witnesses members of the gang coming towards the premises, Liam realises that Joe has passed out and he kisses Joe on his forehead. Joe suddenly snaps awake and realises that Liam has taken his own life by hanging himself. The film concludes with Liam's funeral.
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Cast[edit]
- Peter Mullan – Joe Kavanagh
- Louise Goodall – Sarah Downie
- David McKay – Liam
- Anne-Marie Kennedy – Sabine (as Annemarie Kennedy)
- David Hayman – McGowan
- Gary Lewis – Shanks
- Lorraine McIntosh – Maggie
- Scott Hannah – Scott
- David Peacock – Hooligan
- Gordon McMurray – Scrag
- James McHendry – Perfume
- Paul Clark – Zulu
- Stephen McCole – Mojo
- Simon Macallum – Robbo
References[edit]
- ^Dialect in Films: Examples of South Yorkshire. Grammatical and Lexical Features from Ken Loach Films, Dialectologica 3, page 6
- ^'Festival de Cannes: My Name Is Joe'. festival-cannes.com. Retrieved 2 October 2009.
External links[edit]
- My Name Is Joe on IMDb
Joe is hardly an appropriate name for a lover man -- it seems more like a moniker for a custodian than a Casanova -- but that's exactly what Joe is. He's an old-fashioned romantic soul crooner in the vein of Al Green, Marvin Gaye, D'Angelo, and, well, Gregory Abbott. He's not as ambitious as D'Angelo is, but that doesn't really matter, since he delivers the goods on his third album, My Name Is Joe. Joe never oversings or oversells a song, he just lays back and sweetly sings. There may not be much variety or many remarkable songs on the record -- 'Get Crunk Tonight' stands out with its stuttering, fade-in-fade-out intro and its stylishly funky beat -- but that doesn't matter because this is essentially a mood record, and that mood is love. And it's not a bad romantic mood-setter, either, since Joe is an appealing vocalist, the production is lush without being syrupy, and the songs are all fairly strong, even if only a handful are exceptional ('Somebody Gotta Be on Top,' 'Treat Her Like a Lady,' 'Get Crunk Tonight,' the N'Sync duet 'I Believe in You'). And, really, that's enough, since anyone that gets hooked by a single from My Name Is Joe just wants an assurance that the album will deliver more of the same -- and it does.
Title/Composer | Performer | Time | Stream | |
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1 | 0:46 | SpotifyAmazon | ||
2 | 4:11 | SpotifyAmazon | ||
3 | 3:52 | SpotifyAmazon | ||
4 | Allen Gordon, Jr. / J. Scott Skinner / J. Karen Thomas | 5:29 | SpotifyAmazon | |
5 | 4:56 | SpotifyAmazon | ||
6 | 4:17 | SpotifyAmazon | ||
7 | 4:17 | SpotifyAmazon | ||
8 | 4:05 | SpotifyAmazon | ||
9 | 4:26 | SpotifyAmazon | ||
10 | 4:39 | SpotifyAmazon | ||
11 | 4:13 | |||
12 | Allen Gordon, Jr. / J. Scott Skinner / J. Karen Thomas | feat: *NSYNC | 4:57 | Spotify |
13 | Tim Kelly / B.J. Robinson / J. Karen Thomas | 4:26 | SpotifyAmazon | |
14 | 4:11 | Amazon |